Major, minor and perfect
Name the 12 intervals within an octave by number and quality.
The number of an interval is only half of its name. The other half is its quality, and together they name every interval in the octave.
Perfect, major and minor
- Perfect intervals: the unison, the 4th, the 5th and the octave. They have no major or minor form.
- Major and minor intervals: the 2nd, 3rd, 6th and 7th. The minor version is one semitone smaller than the major.
Together they are the interval qualities. Writing a quality and a number gives a short name: P5 is a perfect 5th, M3 a major 3rd, m3 a minor 3rd.
The 12 intervals in the octave
| Semitones | Name | Short | From C |
|---|---|---|---|
| 0 | perfect unison | P1 | C–C |
| 1 | minor 2nd | m2 | C–D♭ |
| 2 | major 2nd | M2 | C–D |
| 3 | minor 3rd | m3 | C–E♭ |
| 4 | major 3rd | M3 | C–E |
| 5 | perfect 4th | P4 | C–F |
| 6 | augmented 4th / diminished 5th (tritone) | A4 / d5 | C–F♯ / C–G♭ |
| 7 | perfect 5th | P5 | C–G |
| 8 | minor 6th | m6 | C–A♭ |
| 9 | major 6th | M6 | C–A |
| 10 | minor 7th | m7 | C–B♭ |
| 11 | major 7th | M7 | C–B |
| 12 | perfect octave | P8 | C–C |
The two names in the 6-semitone row are two spellings of the same size. Lesson 4.4 explains them.
A handy reference
From the first note of a major scale, every other scale note is a major or perfect interval: M2, M3, P4, P5, M6, M7, P8. To name an interval, compare it with the major scale of its lower note. The Degrees view of the diagrams uses the same idea: ♭3 is a minor 3rd above the root, 3 a major 3rd, and so on.
From C at fret 3 on the A string, play each interval of the table on the same string (frets 3 to 15). Say the short name of each.