Sus chords and power chords
Build suspended and power chords and know how the bass treats them.
Remove the 3rd from a chord and you get something open and undecided: neither major nor minor. Two families of chords work this way.
Suspended chords
Suspended chords replace the 3rd. A sus2 is 1 2 5 (C D G); a sus4 is 1 4 5 (C F G). “Csus” alone usually means sus4.
Without a 3rd, a sus chord is neither major nor minor. It sounds open and often resolves to the major or minor triad on the same root: Csus4 → C. The 4 falls to the 3.
Power chords
A power chord (C5) is 1 5, often with the octave: root, 5th, root. With no 3rd, it is again neither major nor minor. It is common in rock, where distortion makes 3rds sound harsh.
For the bass
- Over sus and power chords, the root, the 5th and the octave are always safe.
- Avoid playing a 3rd over them unless the music clearly wants major or minor.
Spelling: sus4 on F is F B♭ C (not A♯); sus2 on E is E F♯ B.
Play Csus4 → C arpeggios: C F G → C E G. Hear the 4 “resolve” to the 3.
New terms
Tools
- Chords for Bass: Every common chord type on all 12 roots, as a 5-fret box for 4- and 5-string bass, with spelled notes and formulas.